Why to Go and See Stomp the Music
The term stomp originally started with two buskers entertaining the streets of Brighton, UK with audio, their catchy performance hooking in bystaders to stop, observe, and listen. Created by Steven McNichols and Luke Cresswell in Brighton, UK, the musical STOMP debuted within the Orpheum Theatre in February 1994. The music STOMP can also trace some of its roots to Booth Theatres erected at the Village Fairs in the Middle Ages and Renaissance period- an old custom in that age. Unlike any other musical, STOMP challenges the idea of what constitutes music. Eight nightly performers play simple and complex rhythms from everyday objects, for example six foot poles, sand, brooms, lids, litres of water, and aluminum bins. Through dance and music, the group collaborates with each other to play music, too as offering individual self-expression. STOMP is a sensual combination of comedy, percussion, and lively movements. The music STOMP is the unique creation of Steven McNichols and Luke Cresswell that captalizes on a ‘less is more’ premise. It is a passionate production, not effortlessly classified into a specific musical or theatrical style. Via the absence of melodies, the audience listens to audio getting broken down into basics as eight chiseled and lively performers pound out rhythms with regular things: poles, drumsticks, match boxes, water, brooms, bins, and lids. Ironically, the regular quality of these objects catapults STOMP to an artistic level not matched by some other modern theatrical acts. The ease in which the cast manipulates their ‘instruments’ and body expands the imagination into a fantastic reality. Their set design is flashy and vibrant at times; an elaborate metal construction highlights instruments that are struck by performers harnessed from the ceiling. This restriction frees the cast to use their feet, legs, and arms to create loud group rhythms that shake the rafters and audience with the intense, tribal rhythms. These in-your-face cadences are a strong avenue for person and collective expression, leaving numerous on the edge of their seats. STOMP’s absence of fancy performer outfits keeps the focus on what truly counts: dance moves and music rhythms, which become much more complex with each subsequent scene. Subtlety is also utilized to stabilize these raw rhythms.One scene is focused around performers tapping six foot poles, as they stealthily circuit the stage, almost preying on one another with their sly moves and rhythms. Their sense of connection is palpable and sensual, cast eye contact igniting the anticipation, as you almost discover yourself asking yourself who is going to ‘win’ at this musical game. Yet, everybody wins, the audience even asked into the overall performance through a cast member who initiates a clap-and-response session. Around two hours in duration, STOMP keeps one’s attention, making you wonder how items generally reserved for math difficulties, cleaning, and construction projects can entertain and create a powerful musical group dynamic. In this age of modern technology, STOMP is really a refreshing blend of primal instincts meeting musical genious, reminding us of the music and rhythmic potential correct under our noses. Find more information about the music and buyStomp Tickets on the internet
